Teaches Filmmaking

Martin Scorsese

Martin Scorsese Teaches Filmmaking

Meet your new instructor: Oscar-winning director Martin Scorsese. Martin explains the goals of his MasterClass and talks about the importance of staying true to yourself on your filmmaking journey.

1. Introduction

Introduction

Martin explains how he realized that filmmaking was his true calling in life. He also talks about the importance of watching the old masters of cinema, from Orson Welles to Max Ophüls.

2. Beginnings

Beginnings

Martin teaches you to appreciate the value of every shot using the lessons he learned from his tough—but inspirational—professor at NYU.

3. Martin's Education

Martin's Education

There is no set process for filmmaking, but in this lesson Martin offers you a glimpse of what his own process looks like. Learn to let your film take on its own life and always remain open to unexpected changes that could add value to a scene.

4. Discovering Your Process

Discovering Your Process

Martin encourages you to take inspiration from the work of other directors and discusses the significance of referencing other films in your own work.

5. Channeling Your Influences

Channeling Your Influences

Martin teaches the tenets of visual literacy and elaborates on the hallmarks of his style, including previsualization with storyboards, the use of voice-over, and the influence of documentary on his feature films.

6. Developing Your Style

Developing Your Style

Martin connects the atmosphere in which he first started making movies to the current climate of filmmaking, teaching you how technological advances can both help and hinder your creative process as a director.

7. Directing & Technology

Directing & Technology

Martin teaches you how to see the inherently cinematic elements of your daily life and how to identify the themes and stories you are most drawn to.

8. Finding the Story

Finding the Story

Martin shows you his process for reading scripts and how he goes about forming ideas. He also teaches you important lessons regarding research and explains how to further develop your script in rehearsal.

9. Working With The Script

Working With The Script

Martin explains the significance of casting and offers his wisdom on how to interact with your potential actors, both individually and as part of a group. He also shares which performances he uses as models and what he looks for in an actor.

10. Casting Actors

Casting Actors

Martin teaches you the importance of getting in front of the camera as a director. You'll also learn how to build a trusting relationship with your actors, how to make time for them to experiment, and when to stop talking and start to shooting.

11. Directing Actors

Directing Actors

Martin shows you what you should look for when scouting locations and how to turn your location limitations into advantages.

12. Locations

Locations

Martin teaches you how to reflect the themes of a story through production design. Learn how to bring the world of your film to life and when to take artistic license when depicting historical periods.

13. Production Design

Production Design

Learn how to let character dictate costume and how to collaborate with actors to find the perfect clothing for roles.

14. Costume Design

Costume Design

Martin teaches you how to work with your cinematographer and tells you the best way to learn—by asking your DP questions.

15. Understanding Cinematography

Understanding Cinematography

Discover Martin's experience with low-budget filmmaking collaborating with cinematographer Michael Ballhaus. Learn how to creatively get the shots you need, even under tight budget and schedule constraints.

16. Shooting Low-Budget Films

Shooting Low-Budget Films

Learn the differences between working with a small, core crew and a big one, and how to empower individual members of your crew.

17. Working With Crew

Working With Crew

Martin reveals the magic of the edit room, and shares the qualities you should look for in an editor. He also prepares you for the continuous evolution that is intrinsic to the editing process.

18. Editing: Part 1

Editing: Part 1

Martin teaches the importance being in sync with your editor and expounds on a valuable lesson: You may have to cut the scenes you love.

19. Editing: Part 2

Editing: Part 2

Martin gives you a lesson on the historic use of color in cinema and explains his use of color in his own films.

20. Color

Color

Martin discusses the evolution of black and white film and how he arrived at the decision to make Raging Bull in black and white.

21. Choosing Black and White

Choosing Black and White

Martin teaches you his approach to sound design: enter the editing room with the intention of cutting away sound instead of adding it. Learn how to create atmosphere with sound design, as well as how to use sound to solve editing problems.

22. The Importance of Sound Design

The Importance of Sound Design

Martin shows how music serves as part of the spiritual lives of his characters and talks about the films whose music influenced him, from director Kenneth Anger's independents to the traditional scores of Hollywood films.

23. The Power of Music

The Power of Music

Martin recommends promotional strategies and teaches you how to identify and target your film's potential audience.

24. Promoting Your Film

Promoting Your Film

Martin analyzes the first scene of Stanley Kubrick's Barry Lyndon. Watch and learn as Martin breaks down the use of natural lighting and voice-over. Discover how every image in the scene embodies the structure of an entire historical moment.

25. Scene Discussion: Barry Lyndon

Scene Discussion: Barry Lyndon

Martin analyzes the visual language of this scene from Jacques Tourneur's Out of the Past, explaining the director's use of light and shadow. Martin discusses camera tilts and Robert Mitchum's performance in this scene.

26. Scene Discussion: Out of the Past

Scene Discussion: Out of the Past

Martin dissects the voice-over in François Truffaut's film, explaining how it pushes the story forward and gives the audience copious information about the characters. Martin also analyzes the composition of frames and the effect of the music.

27. Scene Discussion: Jules and Jim

Scene Discussion: Jules and Jim

Martin discusses color and background action in this scene from Alfred Hitchcock's Vertigo. Learn how point-of-view shots and specific angles contribute to the emotional power of the scene.

28. Scene Discussion: Vertigo

Scene Discussion: Vertigo

Martin analyzes Federico Fellini's choices in composition and lighting in this scene from 8 1/2, and shows how these impact our understanding of the protoganist. Watch and learn as Martin breaks down camera movement and the blocking of actors.

29. Scene Discussion: 8 1/2

Scene Discussion: 8 1/2

In his parting words of wisdom, Martin encourages you to find your own way and never lose sight of the creative spark that inspires you on each film.

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