Danny Elfman Teaches Music for Film

David Lynch Teaches Creativity and Film

Elevate Your Singing and Stage Presence

Hans Zimmer Teaches Film Scoring

Herbie Hancock Teaches Jazz

Jodie Foster Teaches Filmmaking

John Legend Teaches Songwriting

Judd Apatow Teaches Comedy

Ken Burns Teaches Documentary Filmmaking

Martin Scorsese Teaches Filmmaking

Mira Nair Teaches Independent Filmmaking

Ron Howard Teaches Directing

Spike Lee Teaches Independent Filmmaking

St. Vincent Teaches Creativity and Songwriting

Timbaland Teaches Producing and Beatmaking

Werner Herzog Teaches Filmmaking

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Reviewed - USA Today

Working As a Composer  

Working With Your Cinematographer

Editing

Go Tell Your Story

Introduction

Directors: Part 1

Music Diary: Sherlock Holmes

Writing Tips: Part 1

Hans' Journey

Life of a Composer: Part 1

Craft Nuanced Film Soundtracks

The Power of Music

Writing Lyrics: Using Themes & Motifs

Case Study: Writing a Theme Song

Music in Comedy

Themes

Story

Character Theme: Batman

Character Theme: The Joker

Character Theme: Jack Sparrow

Working With Musicians: The Orchestra - Part 1

Making a Song Your Own

Elevate Your Musical Narratives

Sound Design

Music and Scoring

The Importance of Sound Design

Making a Beat: Manipulating Vocal Samples

How to Persevere

Sound

Music

Deep Dive: Vocal Arrangement

Scene Workshop, Part 3: Final Take

Working With Musicians: The Orchestra - Part 2

Sound Design and Scoring

Evoke Emotion With Sound Design

Music Is Key

Developing a Visual Palette

Sound and Music

Directors: Part 3

Sound Palettes

Feedback & Revisions

Audience Feedback

Score Emotionally Charged Music

Film & TV

Teaches Filmmaking

James Cameron

James Cameron Teaches Filmmaking

Teaches Comedy

Steve Martin

Steve Martin Teaches Comedy

A Documentary by Academy Award Nominee Andrea Nevins

The Cowboy and the Queen

A Documentary by Andrea Nevins

Teaches Screenwriting

Aaron Sorkin

Aaron Sorkin Teaches Screenwriting

Teaches Acting

Samuel L. Jackson

Samuel L. Jackson Teaches Acting

Teaches Directing

Ron Howard

Teaches Documentary Filmmaking

Ken Burns

Teach Developing an Original TV Series

The Duffer Brothers

The Duffer Brothers Teach Developing an Original TV Series

Scripting Your Own Success

Mindy Kaling

Teaches Writing for Television

Shonda Rhimes

Shonda Rhimes Teaches Writing for Television

Martin Scorsese

Teaches Music for Film

Danny Elfman

A Documentary Film From Artist JR

Tehachapi

A Documentary by Artist JR

Werner Herzog

Teaches Independent Filmmaking

Spike Lee

Teaches Voice Acting

Nancy Cartwright

Nancy Cartwright Teaches Voice Acting

Mira Nair

Teaches Creating Outside the Lines

Issa Rae

Issa Rae Teaches Creating Outside the Lines

Icons and Their Influences

Talking Shop

Jodie Foster

Judd Apatow

Teaches Film Scoring

Hans Zimmer

Teaches Creativity and Film

David Lynch

Reframe Your Thinking

Ava DuVernay

Teaches Creativity in Choreography

Parris Goebel

Parris Goebel Teaches Creativity in Choreography

Motion graphics is a facet of [visual effects](https://www.masterclass.com/articles/how-visual-effects-work-in-film) (or <a href='https://masterclass.com/articles/how-visual-effects-work-in-film' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-visual-effects-work-in-film","linkCopy":"VFX","category":"automated-link"}' automatic='true'>VFX</a>) and animation in which designers give text, shapes, and graphics the appearance of movement.

As an example, think of how often news stations utilize this sort of animated design to showcase “Breaking News” and other segments. Motion graphics are common in films, [music videos](https://www.masterclass.com/articles/how-to-make-a-music-video), advertisements, and online content. Pure motion graphics videos—in the case of some explainer content or lyric videos for bands—also exist.

Motion graphics come into play during the post-production process, during which motion graphics designers work with video editors to finalize the appearance of video content.
In a literal sense, motion graphics are, indeed, a facet of [animation](https://www.masterclass.com/articles/a-guide-to-the-history-of-animation). Motion graphics designers animate text, for example. Still, throughout the video production world, it’s useful to know the main differences between each subset of animated material—especially given the fact animation can be a broad catch-all term.

Both motion graphics design and more typical forms of animation create the appearance of movement, but the main difference between the two art forms is the subject matter of this motion. For instance, animation often refers to character animation. Think of your favorite animated sitcom or children’s movie. On the flip side, motion graphics almost exclusively deals in the typical elements of graphic design: text, shapes, and basic images.
Motion graphics become more and more ubiquitous every year. Consider these three common types of motion graphic content:

1. __Advertisements__: It’s common for advertisers to use this art form to spruce up their content. This might include animating their logo, utilizing transitions from one scene in a commercial to another, and other enhancements in [advertisements](https://www.masterclass.com/articles/how-to-create-an-unforgettable-advertisement). Consider the case of an explainer video ad using an infographic. In this case, a motion designer could make it look like a graph draws itself on screen.
2. __Film credits__: In the past, film credits were largely stationary. One set of names would appear after another in a series of stills. Now, these segments are often animated videos, and some movies have ornate motion graphic title sequences.
3. __Website copy__: You can build motion graphics into your website’s user interface. Moving text and graphics are common in web design. There’s also an exciting potentiality for user interaction when it comes to triggering these small animations through clicks, scrolls, and other movements.
To become a motion graphics professional, you need to understand both animation and the basics of graphic design. Here are some fundamental tips to remember as you set out to make your own motion graphics:

- __Collaborate effectively__. Motion graphics design is just one aspect of the overall video production process. You might work with directors, editors, voiceover actors, and others to create this sort of content. Strive for a workflow that makes sense for everybody and do your part to bring together a cohesive [creative vision](https://www.masterclass.com/articles/jodie-fosters-tips-for-realizing-your-creative-vision-in-film). 
- __Consider the concept__. Graphics and kinetic [typography](https://www.masterclass.com/articles/typography-design-guide) are entertaining in their own right, but they need to coalesce with a larger creative concept to sustain interest over a period of time. Ask what the purpose of your project is. Perhaps it’s to drive conversions and meet sales goals, in which case your transitions and designs might nudge viewers to take action. Or maybe it’s to build a movie title sequence capable of summing up the overall aesthetic of a film.
- __Learn about animation__. Look into both 3D and 2D animation techniques as you begin to learn how to make motion graphics. Consult online videos and tutorials about what makes animation work in a general sense. Even though motion graphics are a unique subset of the field as a whole, knowing your way around the subject in a general and pragmatic sense is useful.
- __Make use of technology__. Find digital compositing and animation software that works for you, as well as a [film editing](https://www.masterclass.com/articles/guide-to-film-and-video-editingprocess) or video editing program. If you’re working with a team, make sure you’re all using compatible applications to synchronize your individual work. Research what types of technology will help you best put your design elements on display. Many of these programs come with basic motion graphics templates you can toy around with as well.
- __Study graphic design__. To become adept at motion graphics design, you need to know your way around basic graphic design as well. Study what makes certain types of [color](https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel), typography, and images work well together. The more you learn about elegant and beautiful design in general, the more you can apply what you discover in a unique and distinctive way.
Get a [MasterClass Annual Membership](https://www.masterclass.com) and let David Carson be your personal tutor. The prolific and decorated designer—who’s been lauded as the “<a href='https://masterclass.com/articles/film-101-how-to-become-an-art-director' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/film-101-how-to-become-an-art-director","linkCopy":"art director","category":"automated-link"}' automatic='true'>art director</a> of the era”—reveals his processes for going off the (design) grid, implementing typography in new and interesting ways, innovative uses of photography and collage, and so much more.
Any time you’ve watched text or basic graphics move around on a screen—from film intros to online ads—you’ve seen the power of motion graphics at work. These animated pieces of content have brought life and movement to previously static elements. Learn more about how motion graphics animation can take almost any form of multimedia to the next level.

Any time you’ve watched text or basic graphics move around on a screen—from film intros to online ads—you’ve seen the power of motion graphics at work. These animated pieces of content have brought life and movement to previously static elements. Learn more about how motion graphics animation can take almost any form of multimedia to the next level.

Motion Graphics: How to Make Motion Graphics

Motion graphics is a facet of <a href='https://www.masterclass.com/articles/how-visual-effects-work-in-film' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-visual-effects-work-in-film","linkCopy":"visual effects","category":null}'>visual effects</a> (or <a href='https://masterclass.com/articles/how-visual-effects-work-in-film' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-visual-effects-work-in-film","linkCopy":"VFX","category":"automated-link"}' automatic='true'>VFX</a>) and animation in which designers give text, shapes, and graphics the appearance of movement.As an example, think of how often news stations utilize this sort of animated design to showcase “Breaking News” and other segments. Motion graphics are common in films, <a href='https://www.masterclass.com/articles/how-to-make-a-music-video' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-make-a-music-video","linkCopy":"music videos","category":null}'>music videos</a>, advertisements, and online content. Pure motion graphics videos—in the case of some explainer content or lyric videos for bands—also exist.Motion graphics come into play during the post-production process, during which motion graphics designers work with video editors to finalize the appearance of video content.

What Is Motion Graphics?

In a literal sense, motion graphics are, indeed, a facet of <a href='https://www.masterclass.com/articles/a-guide-to-the-history-of-animation' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/a-guide-to-the-history-of-animation","linkCopy":"animation","category":null}'>animation</a>. Motion graphics designers animate text, for example. Still, throughout the video production world, it’s useful to know the main differences between each subset of animated material—especially given the fact animation can be a broad catch-all term.Both motion graphics design and more typical forms of animation create the appearance of movement, but the main difference between the two art forms is the subject matter of this motion. For instance, animation often refers to character animation. Think of your favorite animated sitcom or children’s movie. On the flip side, motion graphics almost exclusively deals in the typical elements of graphic design: text, shapes, and basic images.

Motion Graphics vs. Animation: Similarities and Differences

Motion graphics become more and more ubiquitous every year. Consider these three common types of motion graphic content:<ol class="mc-m-4"><li class="mc-my-4"> 1. Advertisements: It’s common for advertisers to use this art form to spruce up their content. This might include animating their logo, utilizing transitions from one scene in a commercial to another, and other enhancements in <a href='https://www.masterclass.com/articles/how-to-create-an-unforgettable-advertisement' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-create-an-unforgettable-advertisement","linkCopy":"advertisements","category":null}'>advertisements</a>. Consider the case of an explainer video ad using an infographic. In this case, a motion designer could make it look like a graph draws itself on screen. </li><li class="mc-my-4"> 2. Film credits: In the past, film credits were largely stationary. One set of names would appear after another in a series of stills. Now, these segments are often animated videos, and some movies have ornate motion graphic title sequences. </li><li class="mc-my-4"> 3. Website copy: You can build motion graphics into your website’s user interface. Moving text and graphics are common in web design. There’s also an exciting potentiality for user interaction when it comes to triggering these small animations through clicks, scrolls, and other movements. </li></ol>

3 Examples of Motion Graphics

To become a motion graphics professional, you need to understand both animation and the basics of graphic design. Here are some fundamental tips to remember as you set out to make your own motion graphics:<ul class="mc-m-4 list-styled"><li class="">Collaborate effectively. Motion graphics design is just one aspect of the overall video production process. You might work with directors, editors, voiceover actors, and others to create this sort of content. Strive for a workflow that makes sense for everybody and do your part to bring together a cohesive <a href='https://www.masterclass.com/articles/jodie-fosters-tips-for-realizing-your-creative-vision-in-film' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/jodie-fosters-tips-for-realizing-your-creative-vision-in-film","linkCopy":"creative vision","category":null}'>creative vision</a>. </li><li class="">Consider the concept. Graphics and kinetic <a href='https://www.masterclass.com/articles/typography-design-guide' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/typography-design-guide","linkCopy":"typography","category":null}'>typography</a> are entertaining in their own right, but they need to coalesce with a larger creative concept to sustain interest over a period of time. Ask what the purpose of your project is. Perhaps it’s to drive conversions and meet sales goals, in which case your transitions and designs might nudge viewers to take action. Or maybe it’s to build a movie title sequence capable of summing up the overall aesthetic of a film. </li><li class="">Learn about animation. Look into both 3D and 2D animation techniques as you begin to learn how to make motion graphics. Consult online videos and tutorials about what makes animation work in a general sense. Even though motion graphics are a unique subset of the field as a whole, knowing your way around the subject in a general and pragmatic sense is useful. </li><li class="">Make use of technology. Find digital compositing and animation software that works for you, as well as a <a href='https://www.masterclass.com/articles/guide-to-film-and-video-editingprocess' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/guide-to-film-and-video-editingprocess","linkCopy":"film editing","category":null}'>film editing</a> or video editing program. If you’re working with a team, make sure you’re all using compatible applications to synchronize your individual work. Research what types of technology will help you best put your design elements on display. Many of these programs come with basic motion graphics templates you can toy around with as well. </li><li class="">Study graphic design. To become adept at motion graphics design, you need to know your way around basic graphic design as well. Study what makes certain types of <a href='https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel","linkCopy":"color","category":null}'>color</a>, typography, and images work well together. The more you learn about elegant and beautiful design in general, the more you can apply what you discover in a unique and distinctive way. </li></ul>

How to Make Motion Graphics

Get a <a href='https://www.masterclass.com' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com","linkCopy":"MasterClass Annual Membership","category":null}'>MasterClass Annual Membership</a> and let David Carson be your personal tutor. The prolific and decorated designer—who’s been lauded as the “<a href='https://masterclass.com/articles/film-101-how-to-become-an-art-director' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/film-101-how-to-become-an-art-director","linkCopy":"art director","category":"automated-link"}' automatic='true'>art director</a> of the era”—reveals his processes for going off the (design) grid, implementing typography in new and interesting ways, innovative uses of photography and collage, and so much more.

Want to Learn More About Tapping Into Your Graphic Design Genius?

Any time you’ve watched text or basic graphics move around on a screen—from film intros to online ads—you’ve seen the power of motion graphics at work. These animated pieces of content have brought life and movement to previously static elements. Learn more about how motion graphics animation can take almost any form of multimedia to the next level.

Any time you’ve watched text or basic graphics move around on a screen—from film intros to online ads—you’ve seen the power of motion graphics at work. These animated pieces of content have brought life and movement to previously static elements. Learn more about how motion graphics animation can take almost any form of multimedia to the next level.


Video editor adding motion graphics to video.

motion-graphics

Exposition is a literary term that refers to the background information the audience needs to know for the world of your story to make sense. (Another definition of exposition is the technique of providing this kind of information in a story or film.) Exposition includes anything from character introductions to set details and dialogue, and is most common at the beginning of the story.

The main purpose of exposition is to illuminate the motivations of a film’s characters, as well as the crucial details and circumstances that define their dramatic situation. Effective exposition adds vital, interesting information to the world of the story so that the audience can comprehend the central dramatic narrative. Exposition can also be used to foreshadow an important event, or justify a character’s skills and decisions. 
There are several ways to use exposition to convey the background of the characters and events in a film. Here are some of the most popular types of exposition.

1. __Dialogue__. A conversation between two or more characters allows for simple and effective exposition in a single scene. 
2. __Narration__. Narration, or voiceover, is a way to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a character’s true thoughts and desires, or give omniscient insight into a situation. 
3. __Mise-en-scène__. [Mise-en-scène are props and other things that are seen](https://www.masterclass.com/articles/what-is-mise-en-scene-in-film), but not heard, in a scene. These details, while seemingly subtle, can convey a significant amount of information in a short amount of time. 
4. __Text or title cards__. Perhaps the most straightforward method, text or title cards can contain all the relevant information your audience will need to know, before the film even begins. 
5. __Flashback__. There are multiple ways to convey past events in a present narrative, but flashbacks are the most visual as they place your character in context (versus having them simply recount the event, as they might in dialogue or narration). 

To illustrate how effective exposition can enhance a film and captivate an audience, here are five examples of exposition through the years.

1. __“Rear Window” (1954)__: Director Alfred Hitchcock is a master of exposition, and this film is a perfect example. Hitchcock uses a continuous, three-minute shot to introduce the viewer to Jeff’s neighbors via their daily habits, as well as the mise-en-scène of their apartments. This expository scene gives viewers a taste of the voyeurism that is to come, and drops hints about how each character will figure into the story.
2. __“GoodFellas” (1990)__: Martin Scorsese’s critically acclaimed mob movie makes extensive use of voiceover from main character Henry Hill (played by Ray Liotta) to deliver exposition. However, perhaps the best example of exposition in the film is when Henry leads his girlfriend, Karen, through the back entrance of a nightclub. The respect Henry receives from every person he sees, along with exclusivity and security of their route, tell us everything we need to know about what it means to be a gangster.
3. __“Shaun of the Dead” (2004)__: TV news and radio are often used as vehicles to deliver exposition in film. But director Edgar Wright puts a unique spin on the technique in this exposition example: rather than witnessing a continuous news segment, the viewer experiences this information in bits and pieces as bored and distracted main character Shaun flips through TV channels and wanders to a convenience store. The comedy of Shaun’s obliviousness, along with the tension of the scene, make for effective exposition.
4. __“Up” (2009)__: In what is also an excellent example of a [film montage](https://www.masterclass.com/articles/what-is-montage-in-filmmaking-how-to-create-a-memorable-montage), “Up” opens with a series of images that guide us through main character Carl Fredriksen’s relationship with his wife, Ellie. In the span of just a couple of dialogue-free minutes, we experience the joy, love, and loss of the couple’s many years together. This scene is one of the best examples of exposition in recent film history. In fact, film critic Peter Bradshaw called the montage “a masterclass in narrative exposition.”
5. __“I, Tonya” (2017)__: In this example of exposition, main character Tonya Harding (played by Margot Robbie) “<a href='https://masterclass.com/articles/how-breaking-the-fourth-wall-works-in-film-and-tv' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-breaking-the-fourth-wall-works-in-film-and-tv","linkCopy":"breaks the fourth wall","category":"automated-link"}' automatic='true'>breaks the fourth wall</a>” to deliver key information about her life. The technique works, in part, because these scenes also reveal Tonya’s character in interesting ways, highlighting her resentment and stubbornness as well as her grit and determination to succeed as an Olympic figure skater.

You know the world of your story inside out, but now it's time to put it on paper and share it with audiences. If you're struggling with finding a good starting point or balancing how much information to present, try the following tips for effective expository writing.

1. __Show, don’t tell__. Movies are a form of visual storytelling, which is why one of the basic tenets of <a href='https://masterclass.com/articles/tips-for-becoming-a-screenwriter' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/tips-for-becoming-a-screenwriter","linkCopy":"screenwriting","category":"automated-link"}' automatic='true'>screenwriting</a> is to “show, don’t tell.” This means that you should always “show” things to the audience through action or character behavior as opposed to simply “telling” the audience. If you “show, don’t tell” well, you might not even need an exposition. 
2. __Weave exposition into the rising action__. Good exposition is laid out without impeding the story and is seamlessly embedded within a scene. Move the central dramatic narrative forward at the same time that you lay out exposition. Describe how a bomb works at the same time as the hero is trying to detonate it. Explain how evil a bad guy is as the hero is actively running away from him.
3. __Supplement the visuals__. Use narration or voice-over to add to the action that is taking place on screen. While some visual clues are better left for the audience to decipher, others can benefit from the clarity or context that a narrator can provide with supplemental information.
4. <a href='https://masterclass.com/articles/spike-lees-tips-for-developing-strong-characters' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/spike-lees-tips-for-developing-strong-characters","linkCopy":"Create characters","category":"automated-link"}' automatic='true'>Create characters</a> who act as a “stand in” for the audience. One way to get through exposition in your screenplay is to have at least one character early on who is a stand-in for the audience; Rashida Jones’s character in *The Social Network*, or Chrisann in *Steve Jobs* for example, because they ask questions of the main character that the audience might have. He or she will help introduce the characters and the world without causing viewers to be bogged down with excessive or conspicuous exposition.
5. __Use arguments to your advantage__. In real life, arguments naturally escalate and romantic partners often bring up past events during fights making it an ideal scene to slip in background information. A fight about household duties between lovers can escalate to the point where the wife brings up her husband’s infidelity from 15 years earlier. This exposition feels natural because we believe that the wife may not be over the past infidelity and would mention it in the heat of the moment.
6. __Be brief—less is more__. Only say as much as you need to for the audience to understand the story. Try writing a monologue for your character, exploring his or her entire background and back story. Then, start chipping away at it. How much of this information is important, and how much is ancillary detail? How much can you show in the mise en scène versus having to say out loud? For example, does the character need to tell us they went to university, or can they throw on a college sweatshirt or stand in front of a framed diploma? 
7. __Give your characters subject-matter expertise__. Let’s say you need to explain how a virus is slowly decimating the entire human race. Instead of having a lay person google the information in a scene, write a dynamic scientist character who has been researching this virus for years, is an expert on the topic, and whose job it is to provide information about the virus to others. For example, you could write a scene where the scientist explains how the virus works to the U.N. or has to go on CNN to explain it to the masses as this feels like an authentic thing that would happen in the world of the story.

Whether you’re an aspiring blockbuster director or have dreams of changing the world with your independent film, navigating the world of scripts and screenplays can be daunting. No one knows this better than [Jodie Foster](https://www.masterclass.com/classes/jodie-foster-teaches-filmmaking). In Jodie Foster’s MasterClass on filmmaking, the two-time Oscar-winner talks about her experience on both sides of the camera and reveals insights into every step of the filmmaking process, from storyboarding to casting and camera coverage.

Want to become a better filmmaker? [The MasterClass Annual Membership](https://www.masterclass.com/) provides exclusive video lessons from master filmmakers, including Jodie Foster, Judd Apatow, Martin Scorcese, David Lynch, Spike Lee, Aaron Sorkin, and more.

From the classic opener “Once upon a time…” to the famous *Star Wars* sequence “In a galaxy far, far away…”, some exposition is necessary in every film. Writing effective exposition, however, is an art form. Learn how to best introduce characters, backstory, and [plot points](https://www.masterclass.com/articles/how-to-write-the-first-plot-point-of-your-story) below.

From the classic opener “Once upon a time…” to the famous *Star Wars* sequence “In a galaxy far, far away…”, some exposition is necessary in every film. Writing effective exposition, however, is an art form. Learn how to best introduce characters, backstory, and [plot points](https://www.masterclass.com/articles/how-to-write-the-first-plot-point-of-your-story) below.


What Is Exposition in Film? How to Write Exposition in 7 Easy Steps

Exposition is a literary term that refers to the background information the audience needs to know for the world of your story to make sense. (Another definition of exposition is the technique of providing this kind of information in a story or film.) Exposition includes anything from character introductions to set details and dialogue, and is most common at the beginning of the story.

What Is Exposition?

The main purpose of exposition is to illuminate the motivations of a film’s characters, as well as the crucial details and circumstances that define their dramatic situation. Effective exposition adds vital, interesting information to the world of the story so that the audience can comprehend the central dramatic narrative. Exposition can also be used to foreshadow an important event, or justify a character’s skills and decisions.

What Is the Purpose of Exposition?

There are several ways to use exposition to convey the background of the characters and events in a film. Here are some of the most popular types of exposition.<ol class="mc-m-4"><li class="mc-my-4"> 1. Dialogue. A conversation between two or more characters allows for simple and effective exposition in a single scene. </li><li class="mc-my-4"> 2. Narration. Narration, or voiceover, is a way to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a character’s true thoughts and desires, or give omniscient insight into a situation. </li><li class="mc-my-4"> 3. Mise-en-scène. <a href='https://www.masterclass.com/articles/what-is-mise-en-scene-in-film' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/what-is-mise-en-scene-in-film","linkCopy":"Mise-en-scène are props and other things that are seen","category":null}'>Mise-en-scène are props and other things that are seen</a>, but not heard, in a scene. These details, while seemingly subtle, can convey a significant amount of information in a short amount of time. </li><li class="mc-my-4"> 4. Text or title cards. Perhaps the most straightforward method, text or title cards can contain all the relevant information your audience will need to know, before the film even begins. </li><li class="mc-my-4"> 5. Flashback. There are multiple ways to convey past events in a present narrative, but flashbacks are the most visual as they place your character in context (versus having them simply recount the event, as they might in dialogue or narration). </li></ol>

How to Write Exposition With 5 Different Exposition Techniques

To illustrate how effective exposition can enhance a film and captivate an audience, here are five examples of exposition through the years.<ol class="mc-m-4"><li class="mc-my-4"> 1. “Rear Window” (1954): Director Alfred Hitchcock is a master of exposition, and this film is a perfect example. Hitchcock uses a continuous, three-minute shot to introduce the viewer to Jeff’s neighbors via their daily habits, as well as the mise-en-scène of their apartments. This expository scene gives viewers a taste of the voyeurism that is to come, and drops hints about how each character will figure into the story. </li><li class="mc-my-4"> 2. “GoodFellas” (1990): Martin Scorsese’s critically acclaimed mob movie makes extensive use of voiceover from main character Henry Hill (played by Ray Liotta) to deliver exposition. However, perhaps the best example of exposition in the film is when Henry leads his girlfriend, Karen, through the back entrance of a nightclub. The respect Henry receives from every person he sees, along with exclusivity and security of their route, tell us everything we need to know about what it means to be a gangster. </li><li class="mc-my-4"> 3. “Shaun of the Dead” (2004): TV news and radio are often used as vehicles to deliver exposition in film. But director Edgar Wright puts a unique spin on the technique in this exposition example: rather than witnessing a continuous news segment, the viewer experiences this information in bits and pieces as bored and distracted main character Shaun flips through TV channels and wanders to a convenience store. The comedy of Shaun’s obliviousness, along with the tension of the scene, make for effective exposition. </li><li class="mc-my-4"> 4. “Up” (2009): In what is also an excellent example of a <a href='https://www.masterclass.com/articles/what-is-montage-in-filmmaking-how-to-create-a-memorable-montage' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/what-is-montage-in-filmmaking-how-to-create-a-memorable-montage","linkCopy":"film montage","category":null}'>film montage</a>, “Up” opens with a series of images that guide us through main character Carl Fredriksen’s relationship with his wife, Ellie. In the span of just a couple of dialogue-free minutes, we experience the joy, love, and loss of the couple’s many years together. This scene is one of the best examples of exposition in recent film history. In fact, film critic Peter Bradshaw called the montage “a masterclass in narrative exposition.” </li><li class="mc-my-4"> 5. “I, Tonya” (2017): In this example of exposition, main character Tonya Harding (played by Margot Robbie) “<a href='https://masterclass.com/articles/how-breaking-the-fourth-wall-works-in-film-and-tv' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-breaking-the-fourth-wall-works-in-film-and-tv","linkCopy":"breaks the fourth wall","category":"automated-link"}' automatic='true'>breaks the fourth wall</a>” to deliver key information about her life. The technique works, in part, because these scenes also reveal Tonya’s character in interesting ways, highlighting her resentment and stubbornness as well as her grit and determination to succeed as an Olympic figure skater. </li></ol>

5 Examples of Exposition in Film

You know the world of your story inside out, but now it&#39;s time to put it on paper and share it with audiences. If you&#39;re struggling with finding a good starting point or balancing how much information to present, try the following tips for effective expository writing.<ol class="mc-m-4"><li class="mc-my-4"> 1. Show, don’t tell. Movies are a form of visual storytelling, which is why one of the basic tenets of <a href='https://masterclass.com/articles/tips-for-becoming-a-screenwriter' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/tips-for-becoming-a-screenwriter","linkCopy":"screenwriting","category":"automated-link"}' automatic='true'>screenwriting</a> is to “show, don’t tell.” This means that you should always “show” things to the audience through action or character behavior as opposed to simply “telling” the audience. If you “show, don’t tell” well, you might not even need an exposition. </li><li class="mc-my-4"> 2. Weave exposition into the rising action. Good exposition is laid out without impeding the story and is seamlessly embedded within a scene. Move the central dramatic narrative forward at the same time that you lay out exposition. Describe how a bomb works at the same time as the hero is trying to detonate it. Explain how evil a bad guy is as the hero is actively running away from him. </li><li class="mc-my-4"> 3. Supplement the visuals. Use narration or voice-over to add to the action that is taking place on screen. While some visual clues are better left for the audience to decipher, others can benefit from the clarity or context that a narrator can provide with supplemental information. </li><li class="mc-my-4"> 4. <a href='https://masterclass.com/articles/spike-lees-tips-for-developing-strong-characters' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/spike-lees-tips-for-developing-strong-characters","linkCopy":"Create characters","category":"automated-link"}' automatic='true'>Create characters</a> who act as a “stand in” for the audience. One way to get through exposition in your screenplay is to have at least one character early on who is a stand-in for the audience; Rashida Jones’s character in The Social Network, or Chrisann in Steve Jobs for example, because they ask questions of the main character that the audience might have. He or she will help introduce the characters and the world without causing viewers to be bogged down with excessive or conspicuous exposition. </li><li class="mc-my-4"> 5. Use arguments to your advantage. In real life, arguments naturally escalate and romantic partners often bring up past events during fights making it an ideal scene to slip in background information. A fight about household duties between lovers can escalate to the point where the wife brings up her husband’s infidelity from 15 years earlier. This exposition feels natural because we believe that the wife may not be over the past infidelity and would mention it in the heat of the moment. </li><li class="mc-my-4"> 6. Be brief—less is more. Only say as much as you need to for the audience to understand the story. Try writing a monologue for your character, exploring his or her entire background and back story. Then, start chipping away at it. How much of this information is important, and how much is ancillary detail? How much can you show in the mise en scène versus having to say out loud? For example, does the character need to tell us they went to university, or can they throw on a college sweatshirt or stand in front of a framed diploma? </li><li class="mc-my-4"> 7. Give your characters subject-matter expertise. Let’s say you need to explain how a virus is slowly decimating the entire human race. Instead of having a lay person google the information in a scene, write a dynamic scientist character who has been researching this virus for years, is an expert on the topic, and whose job it is to provide information about the virus to others. For example, you could write a scene where the scientist explains how the virus works to the U.N. or has to go on CNN to explain it to the masses as this feels like an authentic thing that would happen in the world of the story. </li></ol>

Step-by-Step Guide: How to Write Exposition With 7 Tips

Whether you’re an aspiring blockbuster director or have dreams of changing the world with your independent film, navigating the world of scripts and screenplays can be daunting. No one knows this better than <a href='https://www.masterclass.com/classes/jodie-foster-teaches-filmmaking' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/classes/jodie-foster-teaches-filmmaking","linkCopy":"Jodie Foster","category":null}'>Jodie Foster</a>. In Jodie Foster’s MasterClass on filmmaking, the two-time Oscar-winner talks about her experience on both sides of the camera and reveals insights into every step of the filmmaking process, from storyboarding to casting and camera coverage.Want to become a better filmmaker? <a href='https://www.masterclass.com/' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/","linkCopy":"The MasterClass Annual Membership","category":null}'>The MasterClass Annual Membership</a> provides exclusive video lessons from master filmmakers, including Jodie Foster, Judd Apatow, Martin Scorcese, David Lynch, Spike Lee, Aaron Sorkin, and more.

Want to Become a Better Filmmaker?

From the classic opener “Once upon a time…” to the famous Star Wars sequence “In a galaxy far, far away…”, some exposition is necessary in every film. Writing effective exposition, however, is an art form. Learn how to best introduce characters, backstory, and <a href='https://www.masterclass.com/articles/how-to-write-the-first-plot-point-of-your-story' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-write-the-first-plot-point-of-your-story","linkCopy":"plot points","category":null}'>plot points</a> below.

From the classic opener “Once upon a time…” to the famous Star Wars sequence “In a galaxy far, far away…”, some exposition is necessary in every film. Writing effective exposition, however, is an art form. Learn how to best introduce characters, backstory, and plot points (https://www.masterclass.com/articles/how-to-write-the-first-plot-point-of-your-story) below.


The introductory sentence to an exposition on a typewriter.

what-is-exposition-film

In fine art, filmmaking, photography, [graphic design](https://www.masterclass.com/articles/what-is-graphic-design), and other visual mediums, composition speaks to the arrangement of design elements in a given canvas, image, or screen. The composition combines specific elements—such as color, texture, and [positive or negative space](https://www.masterclass.com/articles/positive-and-negative-space)—that offer a clear visual hierarchy, drawing attention to the central or various parts of the image.
Graphic design composition combines individual elements with a structure to communicate information effectively. Graphic designers can use the basic principles of composition to make ads, website designs, and other marketing materials to build an effective [brand positioning strategy](https://www.masterclass.com/articles/how-to-create-a-brand-positioning-strategy) or [marketing campaign](https://www.masterclass.com/articles/direct-marketing). Using compositional principles gives visual weight to an image, telling the audience where to look, what to read, and how to feel. 

In addition to eye-catching graphic elements to communicate a message, there must be cohesion within the details, so audiences clearly understand the graphic and its goal. Graphic designers often work in apps such as Adobe Creative Cloud to establish a [visual hierarchy](https://www.masterclass.com/articles/visual-hierarchy) and strong composition for graphic design projects.
Several different elements are the building blocks that combine to make a good composition. The most important elements include:

1. __Color palette__: One of the most striking elements of your design, color helps establish a mood for your composition. When light waves strike an object and reflect back to the optic nerve in a human’s eyes, the sensation they perceive is color. Artists and designers use [color](https://www.masterclass.com/articles/color-in-art-explained) to depict and describe the subject and to portray mood, light, depth, and point of view. Designers use the [color wheel](https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel) and the tenets of color theory—a set of guidelines for mixing, combining, and manipulating colors—to create color schemes.
2. __Form__: The way a shape or physical configuration occupies space is form. Instead of creating form through a three-dimensional physical shape, designers create the appearance of form on a flat surface by using light, shadow, the formation of an object’s contours, empty space, and surrounding objects.
3. __Line__: Line refers to the way that two points in space connect. Diagonal, vertical, or horizontal lines can direct the eye toward a certain point in your composition. Designers can employ lines to create a symmetrical or asymmetrical [balance](https://www.masterclass.com/articles/balance-photography-explained) in designs.
4. __Shape__: A [shape](https://www.masterclass.com/articles/shape-in-art-explained) is a two-dimensional area with a surrounding outline. Graphic artists can use elements, including line, color, value, and shadow, to give a shape the appearance of a three-dimensional shape. There are three types of shapes: organic shapes, which occur naturally in the world; geometric shapes, which are angular and mathematically consistent; and abstract shapes, which represent things in nature but aren’t perfectly representative.
5. __Space__: Using space properly can help others view your design as you intended. White space or negative space is the space between or around the focal point of an image. Positive space is the space that your subject matter takes up in your composition. The spacing of your design is essential because a crowded [design layout](https://www.masterclass.com/articles/grids-in-design) can overwhelm the viewer’s eye.
6. __Texture__: Designers use texture to express how an object (image or text) feels. Words to describe texture may be rough, ribbed, smooth, thorny, soft, and more. Texture can provide a sensory component to your design.
7. __Typeface__: [Web designs](https://www.masterclass.com/articles/how-to-become-a-web-designer), ads, and print materials often combine images and text. The kind of [typography](https://www.masterclass.com/articles/typography-design-guide) you use should stem from brand guidelines and be easily legible—and well-written—to create a compelling message.
8. __Value__: In design, [value](https://www.masterclass.com/articles/value-in-art-explained) refers to the lightness or darkness of a color. The values of a color comprise gradients, a series of variations on one hue that range from the lightest to the darkest. Artists can use the various values of color to create the illusion of mass and volume in their work.
Get a [MasterClass Annual Membership](https://www.masterclass.com) and let David Carson be your personal tutor. The prolific and decorated designer—who’s been lauded as the “<a href='https://masterclass.com/articles/film-101-how-to-become-an-art-director' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/film-101-how-to-become-an-art-director","linkCopy":"art director","category":"automated-link"}' automatic='true'>art director</a> of the era”—reveals his processes for going off the (design) grid, implementing typography in new and interesting ways, innovative uses of photography and collage, and so much more.
A successful graphic design composition combines visual elements to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a clear message. Learn about the principles of design and the key elements of compelling graphic design compositions.

A successful graphic design composition combines visual elements to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a clear message. Learn about the principles of design and the key elements of compelling graphic design compositions.

Graphic Design Composition: 8 Graphic Design Elements

In fine art, filmmaking, photography, <a href='https://www.masterclass.com/articles/what-is-graphic-design' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/what-is-graphic-design","linkCopy":"graphic design","category":null}'>graphic design</a>, and other visual mediums, composition speaks to the arrangement of design elements in a given canvas, image, or screen. The composition combines specific elements—such as color, texture, and <a href='https://www.masterclass.com/articles/positive-and-negative-space' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/positive-and-negative-space","linkCopy":"positive or negative space","category":null}'>positive or negative space</a>—that offer a clear visual hierarchy, drawing attention to the central or various parts of the image.

What Is Composition?

Graphic design composition combines individual elements with a structure to communicate information effectively. Graphic designers can use the basic principles of composition to make ads, website designs, and other marketing materials to build an effective <a href='https://www.masterclass.com/articles/how-to-create-a-brand-positioning-strategy' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-create-a-brand-positioning-strategy","linkCopy":"brand positioning strategy","category":null}'>brand positioning strategy</a> or <a href='https://www.masterclass.com/articles/direct-marketing' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/direct-marketing","linkCopy":"marketing campaign","category":null}'>marketing campaign</a>. Using compositional principles gives visual weight to an image, telling the audience where to look, what to read, and how to feel. In addition to eye-catching graphic elements to communicate a message, there must be cohesion within the details, so audiences clearly understand the graphic and its goal. Graphic designers often work in apps such as Adobe Creative Cloud to establish a <a href='https://www.masterclass.com/articles/visual-hierarchy' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/visual-hierarchy","linkCopy":"visual hierarchy","category":null}'>visual hierarchy</a> and strong composition for graphic design projects.

What Is Graphic Design Composition?

Several different elements are the building blocks that combine to make a good composition. The most important elements include:<ol class="mc-m-4"><li class="mc-my-4"> 1. Color palette: One of the most striking elements of your design, color helps establish a mood for your composition. When light waves strike an object and reflect back to the optic nerve in a human’s eyes, the sensation they perceive is color. Artists and designers use <a href='https://www.masterclass.com/articles/color-in-art-explained' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/color-in-art-explained","linkCopy":"color","category":null}'>color</a> to depict and describe the subject and to portray mood, light, depth, and point of view. Designers use the <a href='https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/color-theory-basics-understanding-the-color-wheel","linkCopy":"color wheel","category":null}'>color wheel</a> and the tenets of color theory—a set of guidelines for mixing, combining, and manipulating colors—to create color schemes. </li><li class="mc-my-4"> 2. Form: The way a shape or physical configuration occupies space is form. Instead of creating form through a three-dimensional physical shape, designers create the appearance of form on a flat surface by using light, shadow, the formation of an object’s contours, empty space, and surrounding objects. </li><li class="mc-my-4"> 3. Line: Line refers to the way that two points in space connect. Diagonal, vertical, or horizontal lines can direct the eye toward a certain point in your composition. Designers can employ lines to create a symmetrical or asymmetrical <a href='https://www.masterclass.com/articles/balance-photography-explained' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/balance-photography-explained","linkCopy":"balance","category":null}'>balance</a> in designs. </li><li class="mc-my-4"> 4. Shape: A <a href='https://www.masterclass.com/articles/shape-in-art-explained' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/shape-in-art-explained","linkCopy":"shape","category":null}'>shape</a> is a two-dimensional area with a surrounding outline. Graphic artists can use elements, including line, color, value, and shadow, to give a shape the appearance of a three-dimensional shape. There are three types of shapes: organic shapes, which occur naturally in the world; geometric shapes, which are angular and mathematically consistent; and abstract shapes, which represent things in nature but aren’t perfectly representative. </li><li class="mc-my-4"> 5. Space: Using space properly can help others view your design as you intended. White space or negative space is the space between or around the focal point of an image. Positive space is the space that your subject matter takes up in your composition. The spacing of your design is essential because a crowded <a href='https://www.masterclass.com/articles/grids-in-design' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/grids-in-design","linkCopy":"design layout","category":null}'>design layout</a> can overwhelm the viewer’s eye. </li><li class="mc-my-4"> 6. Texture: Designers use texture to express how an object (image or text) feels. Words to describe texture may be rough, ribbed, smooth, thorny, soft, and more. Texture can provide a sensory component to your design. </li><li class="mc-my-4"> 7. Typeface: <a href='https://www.masterclass.com/articles/how-to-become-a-web-designer' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-become-a-web-designer","linkCopy":"Web designs","category":null}'>Web designs</a>, ads, and print materials often combine images and text. The kind of <a href='https://www.masterclass.com/articles/typography-design-guide' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/typography-design-guide","linkCopy":"typography","category":null}'>typography</a> you use should stem from brand guidelines and be easily legible—and well-written—to create a compelling message. </li><li class="mc-my-4"> 8. Value: In design, <a href='https://www.masterclass.com/articles/value-in-art-explained' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/value-in-art-explained","linkCopy":"value","category":null}'>value</a> refers to the lightness or darkness of a color. The values of a color comprise gradients, a series of variations on one hue that range from the lightest to the darkest. Artists can use the various values of color to create the illusion of mass and volume in their work. </li></ol>

8 Components of Graphic Design Composition

A successful graphic design composition combines visual elements to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a clear message. Learn about the principles of design and the key elements of compelling graphic design compositions.

A successful graphic design composition combines visual elements to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> a clear message. Learn about the principles of design and the key elements of compelling graphic design compositions.

Desktop computer with graphic design compositions displayed on screen.

graphic-design-composition

High-concept films are heavily [plot-driven](https://www.masterclass.com/articles/how-to-write-plot-driven-vs-character-driven-stories), and their high-stakes nature generates immediate interest from the audience. High-concept films usually have a central idea writers and producers can summarize quickly to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> the project to financial backers and the audience. 

In Hollywood, high-concept films contrast with low-concept ones. While high-concept films have a simple, catchy, and vivid premise, low-concept films rely on less dramatic plots and focus instead on character development. [Character studies](https://www.masterclass.com/articles/character-study-film-guide) are an excellent example of low-concept films. Historical dramas and [romantic comedies](https://www.masterclass.com/articles/how-to-write-a-romantic-comedy-screenplay-plus-15-classic-rom-coms-to-watch-for-screenwriting-inspiration) also depend on the audience’s interest in the characters over an obvious hook.
Many of the biggest Hollywood blockbusters have been high-concept movies, and some have lingered in the public imagination for years, becoming beloved classics. Consider these examples:

1. __*Groundhog Day* (1993)__: Harold Ramis’s high-concept [comedy](https://www.masterclass.com/articles/judd-apatows-8-essential-tips-for-aspiring-comedy-filmmakers) follows a shallow, emotionally shutoff man who must live the same day repeatedly until he learns both decency and love.
2. __*Jurassic Park* (1993)__: In director Steven Spielberg’s action-adventure blockbuster, humanity develops the technology to clone dinosaurs.
3. __*Liar Liar* (1997)__: Tom Shadyac directed this comedy, which stars Jim Carrey at the height of his fame and imagines a scenario wherein a successful but dishonest lawyer is suddenly unable to lie, complicating his professional career but ultimately bringing him closer to his family.
4. __*The Truman Show* (1998)__: This high-concept movie from director Peter Weir blends melodrama and comedy with [science fiction](https://www.masterclass.com/articles/science-fiction-movies) elements, riffing on the then-novel phenomenon of reality television. The premise explores the concept of a man who is the star of the world’s most popular reality TV show but doesn’t know it.
5. __*Snakes on a Plane* (2006)__: This film by director David R. Ellis begins with the absurd-but-catchy premise its title encapsulates. Audiences immediately know what to expect from this film starring [Samuel L. Jackson](https://www.masterclass.com/classes/samuel-l-jackson-teaches-acting): something scary, tense, and ridiculous.
6. __*Inception* (2010)__: Director Christopher Nolan’s work illustrates an impressive knack for the high-concept premise, including this box office smash in which professional thieves use sci-fi technology to infiltrate other people’s dreams to steal valuable ideas.
Writing a high-concept film can be a fun and rewarding exercise, and if successful, it can be a lucrative job for <a href='https://masterclass.com/articles/tips-for-becoming-a-screenwriter' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/tips-for-becoming-a-screenwriter","linkCopy":"screenwriters","category":"automated-link"}' automatic='true'>screenwriters</a>. When writing a high-concept film, follow these steps:

1. __Brainstorm big ideas__. Start with simple [brainstorming](https://www.masterclass.com/articles/how-to-brainstorm-story-ideas) sessions of high-concept story ideas on your own or with collaborators. See how many high-concept ideas you can come up with in a set amount of time, then rank them for simplicity and mass appeal.
2. __Do your research__. Before writing a [logline](https://www.masterclass.com/articles/screenwriting-tips-how-to-write-a-logline) for your idea, watching high-concept films for reference can be helpful. Come up with your own loglines for high-concept movies like *Star Trek* (1966-1969), *Star Wars* (1978), and *The Matrix* (1999) as a [writing exercise](https://www.masterclass.com/articles/creative-writing-exercises-to-strengthen-your-writing).
3. __Prepare your high-concept pitch__. Ideally, a high-concept film has a simple logline of up to three sentences. This summary sets up the concept and the [stakes](https://www.masterclass.com/articles/types-of-stakes-in-a-story) in a simple and attention-getting manner to excite studio executives.
Become a better filmmaker with the [MasterClass Annual Membership](https://www.masterclass.com). Gain access to exclusive video lessons taught by the world’s best, including Aaron Sorkin, Shonda Rhimes, Spike Lee, David Lynch, Jodie Foster, Martin Scorsese, and more.
In filmmaking, the term “high concept” refers to a type of movie with a simple yet compelling premise. Typically, a high-concept film has the chance of mass audience appeal. Learn about examples of high-concept films and tips for writing a high-concept screenplay.

In filmmaking, the term “high concept” refers to a type of movie with a simple yet compelling premise. Typically, a high-concept film has the chance of mass audience appeal. Learn about examples of high-concept films and tips for writing a high-concept screenplay.

High-Concept Movies: How to Write High-Concept Screenplays

High-concept films are heavily <a href='https://www.masterclass.com/articles/how-to-write-plot-driven-vs-character-driven-stories' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-write-plot-driven-vs-character-driven-stories","linkCopy":"plot-driven","category":null}'>plot-driven</a>, and their high-stakes nature generates immediate interest from the audience. High-concept films usually have a central idea writers and producers can summarize quickly to <a href='https://masterclass.com/articles/robin-robertss-tips-for-effective-communication' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/robin-robertss-tips-for-effective-communication","linkCopy":"communicate","category":"automated-link"}' automatic='true'>communicate</a> the project to financial backers and the audience. In Hollywood, high-concept films contrast with low-concept ones. While high-concept films have a simple, catchy, and vivid premise, low-concept films rely on less dramatic plots and focus instead on character development. <a href='https://www.masterclass.com/articles/character-study-film-guide' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/character-study-film-guide","linkCopy":"Character studies","category":null}'>Character studies</a> are an excellent example of low-concept films. Historical dramas and <a href='https://www.masterclass.com/articles/how-to-write-a-romantic-comedy-screenplay-plus-15-classic-rom-coms-to-watch-for-screenwriting-inspiration' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-write-a-romantic-comedy-screenplay-plus-15-classic-rom-coms-to-watch-for-screenwriting-inspiration","linkCopy":"romantic comedies","category":null}'>romantic comedies</a> also depend on the audience’s interest in the characters over an obvious hook.

What Are High-Concept Movies?

Many of the biggest Hollywood blockbusters have been high-concept movies, and some have lingered in the public imagination for years, becoming beloved classics. Consider these examples:<ol class="mc-m-4"><li class="mc-my-4"> 1. Groundhog Day (1993): Harold Ramis’s high-concept <a href='https://www.masterclass.com/articles/judd-apatows-8-essential-tips-for-aspiring-comedy-filmmakers' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/judd-apatows-8-essential-tips-for-aspiring-comedy-filmmakers","linkCopy":"comedy","category":null}'>comedy</a> follows a shallow, emotionally shutoff man who must live the same day repeatedly until he learns both decency and love. </li><li class="mc-my-4"> 2. Jurassic Park (1993): In director Steven Spielberg’s action-adventure blockbuster, humanity develops the technology to clone dinosaurs. </li><li class="mc-my-4"> 3. Liar Liar (1997): Tom Shadyac directed this comedy, which stars Jim Carrey at the height of his fame and imagines a scenario wherein a successful but dishonest lawyer is suddenly unable to lie, complicating his professional career but ultimately bringing him closer to his family. </li><li class="mc-my-4"> 4. The Truman Show (1998): This high-concept movie from director Peter Weir blends melodrama and comedy with <a href='https://www.masterclass.com/articles/science-fiction-movies' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/science-fiction-movies","linkCopy":"science fiction","category":null}'>science fiction</a> elements, riffing on the then-novel phenomenon of reality television. The premise explores the concept of a man who is the star of the world’s most popular reality TV show but doesn’t know it. </li><li class="mc-my-4"> 5. Snakes on a Plane (2006): This film by director David R. Ellis begins with the absurd-but-catchy premise its title encapsulates. Audiences immediately know what to expect from this film starring <a href='https://www.masterclass.com/classes/samuel-l-jackson-teaches-acting' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/classes/samuel-l-jackson-teaches-acting","linkCopy":"Samuel L. Jackson","category":null}'>Samuel L. Jackson</a>: something scary, tense, and ridiculous. </li><li class="mc-my-4"> 6. Inception (2010): Director Christopher Nolan’s work illustrates an impressive knack for the high-concept premise, including this box office smash in which professional thieves use sci-fi technology to infiltrate other people’s dreams to steal valuable ideas. </li></ol>

6 Examples of High-Concept Movies

Writing a high-concept film can be a fun and rewarding exercise, and if successful, it can be a lucrative job for <a href='https://masterclass.com/articles/tips-for-becoming-a-screenwriter' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/tips-for-becoming-a-screenwriter","linkCopy":"screenwriters","category":"automated-link"}' automatic='true'>screenwriters</a>. When writing a high-concept film, follow these steps:<ol class="mc-m-4"><li class="mc-my-4"> 1. Brainstorm big ideas. Start with simple <a href='https://www.masterclass.com/articles/how-to-brainstorm-story-ideas' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-brainstorm-story-ideas","linkCopy":"brainstorming","category":null}'>brainstorming</a> sessions of high-concept story ideas on your own or with collaborators. See how many high-concept ideas you can come up with in a set amount of time, then rank them for simplicity and mass appeal. </li><li class="mc-my-4"> 2. Do your research. Before writing a <a href='https://www.masterclass.com/articles/screenwriting-tips-how-to-write-a-logline' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/screenwriting-tips-how-to-write-a-logline","linkCopy":"logline","category":null}'>logline</a> for your idea, watching high-concept films for reference can be helpful. Come up with your own loglines for high-concept movies like Star Trek (1966-1969), Star Wars (1978), and The Matrix (1999) as a <a href='https://www.masterclass.com/articles/creative-writing-exercises-to-strengthen-your-writing' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/creative-writing-exercises-to-strengthen-your-writing","linkCopy":"writing exercise","category":null}'>writing exercise</a>. </li><li class="mc-my-4"> 3. Prepare your high-concept pitch. Ideally, a high-concept film has a simple logline of up to three sentences. This summary sets up the concept and the <a href='https://www.masterclass.com/articles/types-of-stakes-in-a-story' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/types-of-stakes-in-a-story","linkCopy":"stakes","category":null}'>stakes</a> in a simple and attention-getting manner to excite studio executives. </li></ol>

How to Write a High-Concept Screenplay

Become a better filmmaker with the <a href='https://www.masterclass.com' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com","linkCopy":"MasterClass Annual Membership","category":null}'>MasterClass Annual Membership</a>. Gain access to exclusive video lessons taught by the world’s best, including Aaron Sorkin, Shonda Rhimes, Spike Lee, David Lynch, Jodie Foster, Martin Scorsese, and more.

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In filmmaking, the term “high concept” refers to a type of movie with a simple yet compelling premise. Typically, a high-concept film has the chance of mass audience appeal. Learn about examples of high-concept films and tips for writing a high-concept screenplay.

In filmmaking, the term “high concept” refers to a type of movie with a simple yet compelling premise. Typically, a high-concept film has the chance of mass audience appeal. Learn about examples of high-concept films and tips for writing a high-concept screenplay.


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