Thelonious Sphere Monk was an American composer and jazz pianist who contributed to the cool jazz, hard bop, and [bebop](https://www.masterclass.com/articles/bebop-guide) styles of music. Monk is considered one of the most significant pioneers of modern jazz because of his unique signature playing style (improvisational, playful, percussive), skillful technique, and legendary collaborations. Here is a brief history of his life. 

- __Early life__: Monk was born in Rocky Mount, North Carolina in 1917, and his family moved to New York City when he was five years old. He started playing piano at age six. He began to find work as a jazz musician by the end of high school, which led him to drop out early. 
- __Career in the 1940s and 1950s__: Monk became the in-house pianist at Harlem’s famous Minton’s Playhouse, where he further developed his style. In 1944, Monk made his first studio recording, which was a performance with Coleman Hawkins’ Quartet. Over the next 18 years, he would record sessions with a series of labels—including Blue Note, Prestige Records, and Riverside Records—and collaborate with fellow jazz legends like Dizzy Gillespie, Charlie Parker, Miles Davis, Sonny Rollins, and Max Roach. 
- __Signing with Columbia Records in the 1960s__: Monk signed with Columbia Records in 1962, his biggest deal up to that point. He recorded some of the most popular albums of his career with Columbia, including *Monk’s Dream*. He was active through the 1960s but had all but disappeared from the scene by the 1970s. 
- __Later life and accolades__: Monk was taken care of by his wife Nellie and longtime friend Baroness Pannonica de Koenigswarter, until his death by stroke in 1982. Monk was one of only five jazz musicians—including composer Duke Ellington and trumpeter Louis Armstrong—to be featured on the cover of *Time* magazine. In 1993, Monk won a Lifetime Achievement Award from the Grammy Organization, and five of his recordings have been inducted into the Grammy Hall of Fame.

Monk influenced the trajectory of jazz with his long, masterfully-improvised solos. He was fast and skilled on the keys and was able to use each of his hands independently to create distinct melodies. Some of the characteristics of Monk’s music include: 

1. __Percussive__: Monk was known to hit the keys with force instead of playing smooth and legato like many other pianists. This gives his music a percussive and bold style that contributed to his sound profile. 
2. __Frequent use of B-flat__: Many of Monk’s blues compositions, including songs like “Misterioso” and “Blue Monk,” are composed in the tone of B-flat, creating tension with dissonant harmonies. 
3. __Whole-tone scales__: Monk often played whole-tone scales that spanned several octaves. Any scale that proceeds in whole step intervals is a [whole tone scale](https://www.masterclass.com/articles/the-basics-of-musical-scales). This type of scale sounds unstable and almost ethereal. 
4. __Open spaces__: Monk often left long, open spaces in his music, both between the notes and the arrangements themselves. This would leave space for his accompanists to shine. 

Thelonious Monk is responsible for a number of classic jazz albums, including: 

1. __*Brilliant Corners* (1957)__: In *Brilliant Corners*, Monk experiments with unconventional song structure and unexpected tempo changes on certain tracks of this album, including the title track “Brilliant Corners.” The album was inducted into the Grammy Hall of Fame in 1999 for its historical significance.
2. __*Thelonious Monk With John Coltrane* (1961)__: This album was inducted into the Grammy Hall of Fame in 2007, and includes tracks like “Ruby, My Dear” and “Epistrophy.” It also features performances with John Coltrane, Coleman Hawkins, and Ray Copeland. 
3. __*Monk’s Dream* (1963)__: This was Monk’s first recording with Columbia, and became one of his best-selling albums. *Monk’s Dream* is almost all original recordings, with the exception of “Bright Mississippi,” which had been recorded previously. 
4. __*Criss-Cross* (1963)__: *Criss-Cross* was the second album that Monk recorded during his contract with Columbia, in which Monk re-recorded a series of popular tracks with one of his longest-running quartets.
5. __*Solo Monk* (1965)__: The *Solo Monk* album is made up entirely of solo piano recordings by Monk. Monk plays instrumental versions of both original compositions and classics that he recorded previously. 

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Thelonious Monk was a pianist and composer who is widely regarded as one of the most significant figures in jazz history


Thelonious Monk was a pianist and composer who is widely regarded as one of the most significant figures in jazz history


Learn About Thelonious Monk’s Life and Influence on Jazz

Thelonious Sphere Monk was an American composer and jazz pianist who contributed to the cool jazz, hard bop, and <a href='https://www.masterclass.com/articles/bebop-guide' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/bebop-guide","linkCopy":"bebop","category":null}'>bebop</a> styles of music. Monk is considered one of the most significant pioneers of modern jazz because of his unique signature playing style (improvisational, playful, percussive), skillful technique, and legendary collaborations. Here is a brief history of his life. <ul class="mc-m-4 list-styled"><li class="">Early life: Monk was born in Rocky Mount, North Carolina in 1917, and his family moved to New York City when he was five years old. He started playing piano at age six. He began to find work as a jazz musician by the end of high school, which led him to drop out early. </li><li class="">Career in the 1940s and 1950s: Monk became the in-house pianist at Harlem’s famous Minton’s Playhouse, where he further developed his style. In 1944, Monk made his first studio recording, which was a performance with Coleman Hawkins’ Quartet. Over the next 18 years, he would record sessions with a series of labels—including Blue Note, Prestige Records, and Riverside Records—and collaborate with fellow jazz legends like Dizzy Gillespie, Charlie Parker, Miles Davis, Sonny Rollins, and Max Roach. </li><li class="">Signing with Columbia Records in the 1960s: Monk signed with Columbia Records in 1962, his biggest deal up to that point. He recorded some of the most popular albums of his career with Columbia, including Monk’s Dream. He was active through the 1960s but had all but disappeared from the scene by the 1970s. </li><li class="">Later life and accolades: Monk was taken care of by his wife Nellie and longtime friend Baroness Pannonica de Koenigswarter, until his death by stroke in 1982. Monk was one of only five jazz musicians—including composer Duke Ellington and trumpeter Louis Armstrong—to be featured on the cover of Time magazine. In 1993, Monk won a Lifetime Achievement Award from the Grammy Organization, and five of his recordings have been inducted into the Grammy Hall of Fame. </li></ul>

A Brief Introduction to Thelonious Monk

Monk influenced the trajectory of jazz with his long, masterfully-improvised solos. He was fast and skilled on the keys and was able to use each of his hands independently to create distinct melodies. Some of the characteristics of Monk’s music include: <ol class="mc-m-4"><li class="mc-my-4"> 1. Percussive: Monk was known to hit the keys with force instead of playing smooth and legato like many other pianists. This gives his music a percussive and bold style that contributed to his sound profile. </li><li class="mc-my-4"> 2. Frequent use of B-flat: Many of Monk’s blues compositions, including songs like “Misterioso” and “Blue Monk,” are composed in the tone of B-flat, creating tension with dissonant harmonies. </li><li class="mc-my-4"> 3. Whole-tone scales: Monk often played whole-tone scales that spanned several octaves. Any scale that proceeds in whole step intervals is a <a href='https://www.masterclass.com/articles/the-basics-of-musical-scales' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/the-basics-of-musical-scales","linkCopy":"whole tone scale","category":null}'>whole tone scale</a>. This type of scale sounds unstable and almost ethereal. </li><li class="mc-my-4"> 4. Open spaces: Monk often left long, open spaces in his music, both between the notes and the arrangements themselves. This would leave space for his accompanists to shine. </li></ol>

4 Characteristics of Thelonious Monk’s Music

Thelonious Monk is responsible for a number of classic jazz albums, including: <ol class="mc-m-4"><li class="mc-my-4"> 1. Brilliant Corners (1957): In Brilliant Corners, Monk experiments with unconventional song structure and unexpected tempo changes on certain tracks of this album, including the title track “Brilliant Corners.” The album was inducted into the Grammy Hall of Fame in 1999 for its historical significance. </li><li class="mc-my-4"> 2. Thelonious Monk With John Coltrane (1961): This album was inducted into the Grammy Hall of Fame in 2007, and includes tracks like “Ruby, My Dear” and “Epistrophy.” It also features performances with John Coltrane, Coleman Hawkins, and Ray Copeland. </li><li class="mc-my-4"> 3. Monk’s Dream (1963): This was Monk’s first recording with Columbia, and became one of his best-selling albums. Monk’s Dream is almost all original recordings, with the exception of “Bright Mississippi,” which had been recorded previously. </li><li class="mc-my-4"> 4. Criss-Cross (1963): Criss-Cross was the second album that Monk recorded during his contract with Columbia, in which Monk re-recorded a series of popular tracks with one of his longest-running quartets. </li><li class="mc-my-4"> 5. Solo Monk (1965): The Solo Monk album is made up entirely of solo piano recordings by Monk. Monk plays instrumental versions of both original compositions and classics that he recorded previously. </li></ol>

5 Notable Albums by Thelonious Monk

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Thelonious Monk was a pianist and composer who is widely regarded as one of the most significant figures in jazz history