Arts & Entertainment

Judd Apatow’s Guide to Writing a Great Screenplay First Draft in 7 Steps

Written by MasterClass

Last updated: Sep 24, 2021 • 2 min read

Whether you are working on your first screenplay or your twentieth, it is easy to get stuck when writing your first draft. Use these tips from director and screenwriter Judd Apatow on how to tackle the first draft of your screenplay.

Learn From the Best

A Brief Introduction to Judd Apatow

When it comes to comedy in Hollywood, Judd Apatow has the Midas touch. In the last 20 years, he has written and directed the hit films Knocked Up, Funny People, and The 40-Year-Old Virgin, and produced the likes of The Big Sick, Superbad, Bridesmaids and both Anchorman films. His TV credits include Freaks and Geeks, Girls, and Crashing.

Apatow is a firm believer in the “vomit pass,” which is a practice of getting all your material down on paper without judgment or self-editing so that ideas can emerge from your unconscious. Below, Apatow shares his process for getting a movie script to a finished first draft.

Judd Apatow Talks About the “Vomit Pass” in Screenwriting

Judd Apatow’s Guide to Writing a Great Screenplay First Draft in 7 Steps

Writing the first draft of a screenplay can seem daunting at first. But it becomes much easier when you break it down into simple to execute steps. Follow Apatow’s process below:

  1. 1. Begin with a thought. For Apatow, the creative process begins with a thought, and in that thought is a thematic idea that he would like to convey to an audience. Once he has the thematic idea or premise, his first step is to write down scene ideas on note cards, without thinking about how they’ll connect.
  2. 2. Write everything down. Apatow also records small ideas in a notes app on his phone. He doesn’t have to use all of the ideas he captures—as was the case with Knocked Up—but the process of writing those ideas down is crucial.
  3. 3. Do your research. When Apatow has created 100–200 cards, he sits down with them and searches for the story. At this point, he forces himself to outline the movie. He knows it’s not going to be perfect—and that’s ok, because he’ll spend time revising it.
  4. 4. Revise the outline. Revising the outline usually entails focusing on the characters’ problems—making them more complicated, and either resolving them or not resolving them—and arranging them rhythmically.
  5. 5. Start writing scenes. Once he finishes the outline, Apatow sets a goal for himself of writing a certain number of scenes each day. He works through the outline—not necessarily in order—crossing off scenes until there are no more to write. He urges you to not let the writing process intimidate you. Setting small goals of a certain number of pages or scenes each day will help you to not become overwhelmed.
  6. 6. Set an achievable goal. Apatow recommends that you strive to write five pages per day. At that rate, you can write the first draft of an entire movie in five or six weeks.
  7. 7. Utilize the “vomit pass.” Apatow is a firm believer in the “vomit pass,” which is a practice of getting all your material down on paper without judgment or self-editing so that ideas can emerge from your unconscious. He keeps his writing time separate from his editing time because if you edit yourself as you write, you’ll likely end up paralyzed.

Want to Learn More About Film?

Want to become a better filmmaker? The MasterClass Annual Membership provides exclusive video lessons from master filmmakers, including Judd Apatow, Shonda Rhimes, Martin Scorsese, David Lynch, Spike Lee, and Aaron Sorkin.